This is a painting I finished about a month ago, in the Road to Asotin series. The Palouse at wheat harvest has an amazing light quality. I'm happy with how this one turned out.
Over the past couple of years I've looked at and played with a lot of computer programs for keeping track of artwork. Here are past blog posts on the subject: Art Inventory Systems, here's what I've tried and then this Update on Art Inventory Systems Alyson Stanfield has also written about this riveting subject on her great blog here . I come to these systems with built-in bias. I prefer a FileMaker based system to an Access based system because I think it's a more powerful and smoother software to use. I'd worked for a nonprofit that used Filemaker and it's what I know. I also prefer a system without goofy graphics. I'm an artist. I care how things look. If I open up software every couple of days I would like it to be clean and simple and not ugly. But computers evolve and the next direction is to the cloud. That is a system where software doesn't live on your computer but you access it via the internet. I operate on 3 devices: my iMac in my
Tenino: Flooded River; Dalles at Dusk , 2020, Oil on Linen, 24" x 60". Shown here with Andrew Vallee sculptures. Hey check out this great blog article from Metropolitan Frame! It's an interview of me and where things are at with my work, given the virus. Metropolitan Frame is a custom frame shop in Minneapolis, Minnesota that produces most of the frames I use these days, including the one above. Their work is flawless and fits my work well. Click here for the article, #artinthetimeofcorona
Comments
great job of capturing the feel!