Thomas Cole. Study for Catskill Creek. Oil on Wood. 1844/45. National Gallery of Art. Avalon Fund.
There's a wonderful permanent installation in the east wing at the National Gallery of Art in DC, Small French paintings. But there are also a few gems by American painters such as Church and Cole. This one is really special.
Nice blog. I signed onto your blog following the Columbia. I think that is a great idea project and do hope you will follow through with it and post you progression. Would love to follow it
Over the past couple of years I've looked at and played with a lot of computer programs for keeping track of artwork. Here are past blog posts on the subject: Art Inventory Systems, here's what I've tried and then this Update on Art Inventory Systems Alyson Stanfield has also written about this riveting subject on her great blog here . I come to these systems with built-in bias. I prefer a FileMaker based system to an Access based system because I think it's a more powerful and smoother software to use. I'd worked for a nonprofit that used Filemaker and it's what I know. I also prefer a system without goofy graphics. I'm an artist. I care how things look. If I open up software every couple of days I would like it to be clean and simple and not ugly. But computers evolve and the next direction is to the cloud. That is a system where software doesn't live on your computer but you access it via the internet. I operate on 3 devices: my iMac in my ...
Surfaces, brushes, paints and mediums. Those are the materials of an oil painter. Each of those elements are important to the finished product. One of the very best painting surfaces is an oil or alkyd primed linen mounted to a panel. For my larger paintings I stretch linen or canvas over wood bars, size the fabric and then prime the surface with an oil primer. But for smaller paintings I prefer the linen panels for several reasons: Less fragile. When you're storing or moving paintings, this is important. Easy to handle. A nice stable surface with no movement. There is no flex when you paint on it and later, that makes them more archival. You can achieve a gorgeous surface effect. You have more frames to choose from (and yes, panels must be framed!) Linen panels seem complicated to make but they're not. It's easier than stretching canvas or linen and a much higher quality surface than buying stretched canvas. And the beauty of making your own panels is that once you...
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